Trouble Every Day Limited Edition 4K Ultra HD + Blu-Ray

Claire Denis’s Trouble Every Day is a hypnotic, unsettling blend of eroticism and horror, exploring love, desire, and uncontrollable hunger in its most primal form. The story follows an American newlywed, Shane Brown, who travels to Paris with his wife, ostensibly for their honeymoon—but secretly to track down a mysterious woman, Coré, linked to a strange condition they both share. Coré, living in seclusion under her husband’s watch, suffers violent, cannibalistic urges triggered by sexual intimacy. As Shane’s control frays, the film weaves a slow, dreamlike rhythm punctuated by moments of shocking brutality. Denis’s detached, atmospheric direction, combined with Agnès Godard’s intimate cinematography and Tindersticks’ haunting score, creates a chilling, almost meditative horror experience that lingers long after the credits. Trouble Every Day is less about jump scares and more about the terror of what lies inside.

SPECIAL FEATURES

• Limited Edition Hardbound Set [3000 copies]
• Dual format edition including both UHD and Blu-ray
• Limited edition hardbound slipcase featuring new art by Ash Weaver-Williams
• Limited edition 60-page collector’s book featuring new writing on Trouble Every Day by Anna Bogutskaya, Amy C. Chambers and Laura Mee with an introduction by Peter Sloane, editor of ReFocus: The Films of Claire Denis
• Limited edition set of facsimile lobby cards
• 4K (2160p) UHD Blu-ray presentation from a brand new 4K restoration, presented in Dolby Vision HDR (HDR 10 compatible)
• 1080p HD presentation on Blu-ray
• Original French soundtrack presented in DTS-HD MA 5.1 and LPCM 2.0
• Optional English subtitles, newly revised for this release
• New audio commentary with horror scholar Lindsay Hallam
• Audio commentary by director Claire Denis and director of photography Agnès Godard
• Pleasures of the Flesh – new interview with New French Extremity expert Alice Haylett Bryan
• Trouble Every Day: Material Vampires and The Defeat of Science – new video essay by film scholar Virginie Sélavy
• Trailer
• *All extras subject to change*